Burgerbob wrote: ↑Sat Aug 28, 2021 4:56 pm
I have a friend on the forum with one. He's had it for a few years now. Not sure if he uses it at all... Lately he's been on a beater 3B.
That’d be me. I’ve had one since late 2017 and I definitely played it a bunch, mainly on out of town gigs and tours but also on jazz gigs, musicals and other situations. Mine has the .500 bore slide and the larger 8.5” bell from the .508 model.
It’s absolutely spectacular, extremely efficient and has this nice fat dark sound with super clear articulations. I actually get a pretty good feedback behind the bell when I play it, even in loud situations. It’s one of the only horns that I can pick up and feel really good on right away even if I’m not in shape at all.
Problem is (for me of course), when compared to my BAC which is my main horn, it’s different enough to throw me off, especially due to the square crooks on the slide and tuning slide. It definitely has more of a “Bach” feel to it rather than the “King” feel I’m used to on my BAC, the partials just line up differently on each horn. That being said, both horns are very different than a standard Bach or a King, that BAC plays like nothing I’ve ever played on, perhaps this is why I’m having a hard time adjusting to other instruments.
As Aidan said, lately I’ve been messing around with an old 70's 3B for when I need a lighter sound and feel and it seems to be working better for me as a backup/lead horn. It’s not nearly as nice and efficient as the DaCarbo but it doesn’t messes with my face/air as much when compared to the BAC I usually play on.