Exercises with practice mute:
I find myself having to play with the prectice mute more and more. I keep hearing you shouldn't practice loud, high etc with the mute in.
I actually find the mute helps with high range practice. Of course, the added resistance makes high range easier. But it actually helps me in getting access to really high range and then transposing that to the open horn.
What do you practice with the mute in? Any specific "mute exercices"?
Exercises with practice mute
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Exercises with practice mute
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Re: Exercises with practice mute
I use a practice mute for all of my practice, and don't worry about it as long as I can get an open warm-up before the gig, and having used one for 10 years now I've adapted to it.
But, they ain't all the same, and you may have to try a few to get the balance between the benefit and the damage. The Wick is quieter than some, but I found that it messed my attacks up, and have settled on a Don Maslett being a good compromise.
But, they ain't all the same, and you may have to try a few to get the balance between the benefit and the damage. The Wick is quieter than some, but I found that it messed my attacks up, and have settled on a Don Maslett being a good compromise.
- SwissTbone
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Re: Exercises with practice mute
I use a wallace. That works pretty well.
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Re: Exercises with practice mute
I do my first workout of the day with the mute as the rest of the house is asleep.
Mine plays in tune and seems totally transparent to the behavior of the horn until you try loud low notes, then a little bit of air pressure builds up in the mute that changes things. Otherwise, pedals and below all the way to the top seems normal.
What I really like about it is that I can hear the head noise much better. Getting centered means the sound shouts inside my mouth and my ears. Articulation noises are really clear. I think it may help to concentrate on sound production and the sound itself, which seems counterintuitive since the bell is muffled.
Mine plays in tune and seems totally transparent to the behavior of the horn until you try loud low notes, then a little bit of air pressure builds up in the mute that changes things. Otherwise, pedals and below all the way to the top seems normal.
What I really like about it is that I can hear the head noise much better. Getting centered means the sound shouts inside my mouth and my ears. Articulation noises are really clear. I think it may help to concentrate on sound production and the sound itself, which seems counterintuitive since the bell is muffled.
Last edited by baileyman on Sun Dec 30, 2018 2:36 pm, edited 1 time in total.
- BGuttman
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Re: Exercises with practice mute
I have one too and think it's great. Seems they are no longer available.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
- SwissTbone
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Re: Exercises with practice mute
Today I had a good example of using the mute: I know that high D or Eb are abut the top of my range, but I try to play them daily.
On the open horn, the high D didn't speak, so I put the mute in and the D was easy, took the mute out and D was also easy. So basically the mute allowed me to practice a range I dont have reliably access.
On the open horn, the high D didn't speak, so I put the mute in and the D was easy, took the mute out and D was also easy. So basically the mute allowed me to practice a range I dont have reliably access.
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