Help! 'Jersey Bounce' solo in a large hall/no mic

[LeoInFL]

First time playing a gig with the Orlando Big Band. 3hr show, 3 sets. Great venue that's large, but not huge (we're expecting 300+ swing dancers). I'll be playing the solo in 'Jersey Bounce' that calls for a plunger for the ending solo portion. Since this is the first time for me (plunger solo), should I play it "half-open" to get enough volume? Is a no-stem Harmon an accepted substitute for the plunger?

Thanks in advance!

[Doug Elliott]

With no mic, if you use a plunger at all no one in the audience will hear it. You'll hear yourself and think it's perfect.

[BrassedOn]

It's a solo. Do what works. You have options.

If no amplification, you might be better off just playing the open horn. I've had occasions, however, where there was just a mic for the sax. Use it.

Solotone/Cleartone mute has a great sound. I've used this one for pit work. Another option.



Plunger with Pixie might have more highs and cut a bit.


Trombone on Harmon has to be my least used mute ever.

Benny Goodman band.


Best on the band gig.

[LeoInFL]

Thanks for all the advice. I ended up playing the 2nd part open. There were mics, but only along the front row with the saxes.